Showing posts with label Eleventh Century. Show all posts
Showing posts with label Eleventh Century. Show all posts

Saturday, 21 January 2023

William the Conqueror and Henry IV of Germany Part 1 – why compare them?

 


William the Conqueror and Henry IV of Germany Part 1 – why compare them?

In this series of posts, I’m going to do something really quite exciting and unconventional. I’m going to compare William the Conqueror (1027 – 1087) and Henry IV of Germany (1050 – 1106). Why is this such a radical idea? After all, both of these eleventh century rulers were each other’s contemporaries, though William was of an older generation. Both rulers of course knew of each other, which wouldn’t be true if I was attempting a comparison between William the Conqueror and the Seljuk Turkish sultan Alp Arslan (d.1072) or between Henry IV of Germany and the Song Chinese emperor Yingzong (r.1067 – 1085).

Indeed, both had quite strong reputations in each other’s kingdoms, and chroniclers in each kingdom followed the other kingdom’s affairs with great interest. William of Poitiers, the Conqueror’s chief propagandist, claimed in 1075 that when William the Conqueror was planning his invasion of England, he sent embassies to the court of King Henry IV to secure his support as well as to the court of Pope Alexander II, though importantly not that of William’s notional liege lord King Philip of France. Its of course unlikely that the embassy happened, given that William of Poitiers, a highly articulate yet unreliable narrative historian, is our only source for it. But the fact that William of Poitiers would make the claim at all in a work intended to praise the Conqueror to high heaven, indicates just how esteemed Emperor Henry IV was in England and Normandy, as he was everywhere else in Western Christendom – the German king-emperor was the most important monarch of them all. Likewise, from the German side, Bruno of Magdeburg, writing in 1082, claimed that in 1074 when King Henry IV was facing a full-scale rebellion against his rule in the duchy of Saxony, he requested that William the Conqueror send military support. William then curtly replied that he had claimed his kingdom by violent conquest, and that if he left it alone for too long there would be rebellions. Bruno might have simply been relying on gossip, but it does show (and we know this from other German chroniclers too) that the Norman Conquest of England was much talked about in Germany – perhaps Henry IV wanted to the Normans to harry his own rebellious North.

Map of the German Empire in the eleventh century. By Holy Roman Empire 1000 map-fr.svg: SĂ©mhurderivative work: OwenBlacker | Discussion - Holy Roman Empire 1000 map-fr.svg, originally based on HRR 10Jh.jpg (2005)., CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=16239633


Indeed, even if diplomacy was quite tenuous between England/ Normandy and the German Empire at this time, they would later be joined at the hip when William the Conqueror’s granddaughter, Matilda (1102 – 1167), married Henry IV’s son, Henry V (1086 – 1125). Some people easily look over this, but Matilda did not have the title of empress for nothing, and she wasn’t happy that for her second marriage she had to settle for a mere French count, Geoffrey of Anjou. Had Henry V lived for 20 more years, then the “Anarchy” would have taken a much more interesting turn with Swabian and Bavarian knights causing mayhem in the Home Counties and the Midlands. Perhaps we would have had German kings of England five and half centuries before we actually did, the Hundred Years’ War would have been completely avoided and Shakespeare would have written plays about kings called Otto and Conrad as well as, of course, Henry.

Perhaps most importantly of all, both rulers are remembered as highly significant in their respective countries. Their reigns are seen as turning points, indeed the pivotal moment, in English and German medieval history respectively – everything before them is inevitably seen in their shadow, and everything afterwards flows from them. What the Battle of Hastings in 1066 is to the English, Henry IV’s penance at Canossa in 1077 is to the Germans – they’re the dates that every schoolchild knows (or at least is supposed to know) and which you should never set your credit card PIN number to. If you ask the average educated English person to name five memorable medieval kings, William the Conqueror will almost certainly be one of them, and if you said the same to the average educated German, they’d probably name Henry IV. And the period they lived in was one of genuine cataclysmic change in both of their countries, which was driven by many of the same forces – the rise of knights, the proliferation of castles, a whole umbrella of economic and social changes and of course the growing power and authority of the papacy. So why have they normally been studied in isolation from each other?

You see, medieval political history has traditionally been written on national lines. English historians of medieval politics focus on England, German historians of medieval politics on Germany, French historians on France and so on. From the nineteenth century through to after WW2 this was very much the established way of doing things, though since the 1970s that has changed. Notably though, there are a lot more British and American historians of medieval Germany than there are German historians of medieval England. Nonetheless, this still means there’s traditionally been the presumption that Medieval English and medieval German history have very little to do with each other.

 Still, national traditions of scholarship leave a long shadow. As a result, until a few generations ago historical scholarship on Medieval English politics was shaped by the question that preoccupied the Victorians: why did a powerful and centralised national monarchy that gave birth to the common law, Parliament and ultimately Great Britain and the British Empire emerge. Meanwhile, German historians, like their predecessors in the Imperial and Weimar eras, still return to the opposite question: why did the German emperors increasingly lose control so that Germany ended up a loose confederation of squabbling principalities, suffered the tragedies of the Thirty Years’ War and Napoleonic occupation and was only unified in 1871 by the iron will of Bismarck. The Norman Conquest and the Penance of Canossa respectively have traditionally been identified as key turning points for both. 

What makes all of these traditional scholarly preoccupations important is that English historians have since the nineteenth century traditionally focused on the state, the law, bureaucracies, court cases and constitutional matters, and many still do. Since the 1950s and even more so since 1990, however, there has been a widespread interest among political historians of early and high medieval England in the social side of politics. There’s been a lot of work on lordship (personal power over people of lesser status), patronage networks, family relationships, aristocratic identity and stuff like that.

 On the German side of things, historians increasingly from the 1920s onwards and overwhelmingly so since the end of WW2, have generally ignored the study of medieval government and administration (the Verfassungsgeschichte that was much more fashionable in the Imperial period) in favour of a way of looking at medieval politics that focuses on the personal relationships between the king/ emperor and the political community – ties of lordship, patronage, family and friendship. A successful medieval king wasn’t one who issued laws that dictated how things were to be run across the country, taxed his subjects rigorously, punished criminals with harsh justice and generally worked to increase the power of the central government and the bureaucracy against the nobility and other vested local interests. Rather, as German medievalists have tended to see it, a successful medieval king was one who worked hard to get all the nobles on the same page as him and be on as friendly terms with them as possible, play by the time-honoured “rules of the game” (to use Gerd Althoff’s phrase) of kingship and generally act like the just and gracious lord of his people. Kings who succeeded in all this could then achieve lots of stuff by bring the nobility of the kingdom/ empire together in royal assemblies and armies. German historiography also stresses the importance of ritual and symbolic actions in how this consensus was built up between kings and aristocrats, such as displays of anger, the shedding of tears, kneeling or prostrating oneself to ask for forgiveness, bringing in holy relics to court gatherings or army musters, seating plans at assemblies and feasts and the like. And yet people talk about "gesture politics" like its a new thing!

What this means is that, in more than just a literal sense, English and German historians speak a very different language when it comes to discussing medieval politics. As a result, it seems like the two political systems of England and Germany in the middle ages were profoundly different and cannot be understood in each other’s terms, making any kind of meaningful comparison impossible. And on the surface of it, its easy to see this as just a natural state of affairs because the actual content they work on is very different. Lets turn to the two rulers we’re comparing. William the Conqueror was able to defeat and kill a rival contender for the throne, Harold Godwinson, in one decisive battle on 14 October 1066, and just over two months later he had seized control of the effective capital of England (London) and with it the machinery of government and was crowned king. Then over the next five years, he was able to completely subdue the whole country by force and replace the majority of its ruling class with foreigners loyal to him. By contrast, Henry IV faced betrayals, rebellions and civil war for almost all his reign and temporarily lost all authority over his kingdom when in 1076 the Pope released his subjects from their oaths of loyalty to him. This he could only regain if he approached the pope as a humble penitent begging for forgiveness. The sources are also hugely different. For example the most famous document from Norman England is of course the Domesday Book – a government survey of (almost) his entire kingdom that records land ownership, economic activities, wealth, tax assessment and the (adult male) population. Likewise there are lots of writs and charters and other administrative records surviving from Norman England. There are plenty of detailed narrative histories for the Anglo-Norman period - Orderic Vitalis, William of Malmesbury, Henry of Huntingdon - but they're counterbalanced by these administrative records. Meanwhile, Henry IV’s Germany is very different. While poor in administrative records it is rich in chronicles, many of them written by historians hostile to Henry IV like Bruno of Merseburg and Lamprecht of Hersfeld. These provide lots of "thick description" of rituals, assemblies and battles, but have little to say about the workings of government. Thus, in contrast to the Anglo-Norman case, they do so much more to colour how historians view the workings of politics in the period.

Thankfully, over the last fifty years, some historians, almost all of them English and most of them specialising in Continental European medieval history (though also including some intrepid and outgoing Anglo-Saxonists) have tried hard to bridge the scholarly great divide and challenge the insularity and historiographical navel-gazing of English and German medievalists alike. To give a short list of them (in chronological order) they include Karl Leyser, Timothy Reuter, Janet Nelson, Sarah Foot, Catherine Cubitt, Simon MacLean, Charles Insley and Levi Roach. There’s been a lot of work recently on the importance of just the kind of ritual and symbolic communication stuff that German medievalists like Gerd Althoff focus on, in relation to late Anglo-Saxon England, though Anglo-Normanists have been slower to follow up on this trend. Indeed its frankly bizarre that its taken so long for English medievalists to see the importance of demonstrative behaviour and symbolism in medieval kingship. After all one of the most famous episodes in English medieval history opens with a king throwing a tantrum and ends with the same king making a humble pilgrimage to Canterbury and being whipped bloody by monks to apologise to the archbishop whose death resulted from his anger. The whole saga of Henry II and Thomas Becket makes a great deal more sense if you have in mind Henry IV at Canossa in 1077, or from an even earlier time Emperor Otto III in 1000 making a pilgrimage to Gniezno to visit the tomb of the martyred Adalbert of Prague and greeting Duke Boleslaw the Brave of Poland in the humble garb of a penitent. And Anglo-Normanists have tried to look at the Norman Conquest in a more pan-European perspective as well, as exemplified by work from people like David Bates, Robert Bartlett, Stephen Baxter and (again) Levi Roach.

Canterbury 1174, when even the most old school historians finally realise that the politics of Norman and Angevin England weren't a ritual free-zone after all


But enough of the historiographical detour. In my view, William the Conqueror and Henry IV, while they mostly don’t match up, nonetheless make a really stimulating comparison for thinking about how eleventh century kingship worked (both through similarities and differences), the momentous changes going on all over Europe and how events almost a thousand years ago can still be so resonant and controversial today. In subsequent posts we’ll be exploring both rulers’ childhoods, how they presented themselves as rulers and faced challenges to their authority and how their reigns were shaped by broader forces of change.

Sources cited

Primary

William of Poitiers, The Gesta Guillelmi, edited and translated by Marjorie Chibnall, Clarendon Press, Oxford (1998)

Secondary

Gerd Althoff, Family, Friends and Followers: Political and Social Bonds in Early Medieval Europe, 500 – 1200, translated by Christopher Carroll, Cambridge University Press (2009)

Elisabeth Van Houts, ‘The Norman Conquest through European eyes’, English Historical Review 110 (1995)

Charles Insley, “‘Ottonians with pipe rolls?’ Political culture and performance in the kingdom of the English, c.900 – 1050’”, History 102 (2017)

Saturday, 7 January 2023

Encounters with the medieval past 1: the early middle ages in ten objects part 2 (800 - 1200)

Happy New Year! Its now 2023 and we're back for the next half of the early middle ages in ten objects. When we left off we had reached the eighth century and were in Indonesia. Let's see where our journey will take us next.

Object number six: the hunting knife of Charlemagne, made in Anglo-Saxon England or Scandinavia, 750 - 800 AD (Aachen Cathedral Treasury, Germany, visited 13 May 2022)


Moving away from Indonesia to the other end of the Eurasian supercontinent, to the area I actually have expertise in, lets look an object from the same century. This is the so-called "hunting knife of Charlemagne." We don't actually know if it belonged to Charlemagne, since its existence is not documented, but we do know that the knife is at least contemporary to him and somehow found its way to Aachen. Its got a simple horn handle with a silver hilt. But where the craftsmanship that produced it really comes into its own is with the blade. It is made from steel that has been pattern-welded. Pattern-welding is a metallurgical technique that the Anglo-Saxons and other Germanic peoples living around the North Sea had mastered by the early seventh century - quite a lot of the weapons found in the Sutton Hoo hoard were made using this technique.

Pattern-welding involved the use of steel (an iron alloy typically containing 0.2 - 1% carbon) and another iron alloy (typically phosphoric iron). The bars of the two alloys then got hammered together, twisted and welded into the body of the artefact. After this, the artefact would be grinded and polished on a whetstone (there was a thriving trade in these in the eighth century) and the metal would be etched with acid, revealing the decorative patterns - typically they would appear rope-like. Stuff like this really brings home the basic truth that people in the "Dark Ages" weren't stupid.

So how did the knife get to Charlemagne? Well, it could have been purchased through trade or given as a diplomatic gift. What has become abundantly clear, ever since the publication of Richard Hodges' seminal work "Dark Age Economics" (1982), is that from the seventh century onwards there was a thriving North Sea trading zone that linked up the emerging Anglo-Saxon kingdoms in lowland Britain with northern Francia, Frisia, Denmark, Norway and southern Sweden. Anglo-Saxon ports like Hamwic (Southampton) in Wessex, Lundenwic (London) which came under Mercian control by the 730s, Gipeswic (Ipswich) in East Anglia and Eoforwic (York) in Northumbria traded with Continental trading towns or emporia like Quentovic in Francia, Dorestad in Frisia, Ribe in Denmark, Kaupang in Norway and Birka in Sweden. There were also diplomatic ties between Anglo-Saxon and Continental rulers. Indeed, in 796, Charlemagne had sent a letter to King Offa of Mercia. The Mercians had by this point conquered Kent and Sussex, while the kings of Wessex and East Anglia recognised Mercian overlordship, making Offa the most powerful ruler in Britain and a near neighbour to Charlemagne's Empire separated only by the English Channel. Before the letter was sent, a diplomatic incident had occurred in which Mercian merchants were barred from all the ports in Charlemagne's Empire because Offa had refused Charlemagne's offer of a marriage alliance in which one of his daughters would marry into the Mercian royal family. The letter was sent to remedy the situation and itself discusses the following:

  1. Mercian pilgrims coming into Frankish ports, presumably on their way to Rome, are to be granted complete free movement. 
  2. Mercian merchants have to pay tolls on their goods when they arrive in Frankish ports, but will also enjoy full legal protection on Frankish soil and can have any business disputes with the locals resolved in the Frankish courts. 
  3. On behalf of the late Pope Hadrian I, all the Mercian bishops will receive gifts of ecclesiastical vestments, and Charlemagne himself presents Offa with a gift of a ceremonial belt, two silk cloaks and an Avar sword (the Frankish conquest of the Avar Khaganate was taking place at exactly this time).
While the letter of 796 doesn't provide us with an answer as to how the knife got from Anglo-Saxon England to Francia and into Charlemagne's possession. But it does provide us with the necessary context and some possibilities as to how it might have - it could have been acquired through trade, or it could have been given as a diplomatic gift by Offa or another Anglo-Saxon ruler to Charlemagne. Like with a lot of other objects from this period, we simply can't know anything conclusive about its provenance or early history unless it found its way into the documentary sources. And a lot of the objects mentioned in the documentary sources sadly no longer survive - like the Avar sword Charlemagne gave to Offa.

Charlemagne would have undoubtedly been pleased to receive the knife. One of the things we can most clearly establish about Charlemagne's personality is that he enjoyed hunting. Einhard, his friend and biographer, of course talks quite a bit about Charlemagne's love of hunting. Notker the Stammerer, writing three generations after Einhard, tells a number of anecdotes about Charlemagne's love of hunting, including one about how he shamed his courtiers for dressing in fancy silks and satins on a hunting trip while he himself dressed in simple wool and sheepskin. At the same time, hunting was a sensible thing for any early medieval king to do. It provided fresh game for dinner. It gave opportunities to display masculine strength and courage such as when taking down a wild boar. It also allowed the king to bond with his aristocrats over a shared experience (much like a corporate teambuilding event in today's world) whilst at the same time reinforcing rank and precedence. The hunt was a formal and ritualised affair (much like foxhunting still is in the UK today), and as Notker's anecdote suggests things like dress (or indeed weaponry) could be very important in showing social distinctions. Charlemagne's decision to reside permanently at his new palace at Aachen from the mid-790s may well have been influenced by his love of hunting - it was very close to the forests of the Ardennes, teaming with wild beasts of all kinds. Though it probably also had something to do with his love of swimming (the thermal springs there had been used for bathing since at least Roman times), and the fact that it was located in the original powerbase of the Carolingian family (roughly where France, Belgium, the Netherlands, Luxembourg and Germany intersect with each other).

Yet it is worth noting that the sheath, which is made of leather, gold, precious stones and glass, was actually made later, sometime in the eleventh century. This shows that the knife had a history of use after Charlemagne's death in 814. And with any historical artefact, you have to ask the question: how and why does it survive to us today?

The answer to this comes with later politics. In the year 1000, the nineteen-year-old Emperor Otto III opened up Charlemagne's tomb in Aachen and found that the Carolingian monarch's body had not decayed and was in perfect condition - commonly identified as a sign of holiness and potential sainthood since at least the sixth century. Otto III trimmed Charlemagne's nails and replaced his nose with a gold one, but may have fiddled around with the emperor's tomb in other ways. Why Otto III did this has created much debate and controversy among historians, as has just about everything else he did during his remarkably short life (he died before his twenty-second birthday). He's quite possibly the most controversial ruler in medieval German history, and there's some stiff competition there. For this particular incident, its a question of whether Otto was planning to make a case for Charlemagne's sainthood as part of his political programme, or whether this was just an episode of teenaged silliness. We don't really know either way, because Otto did not last very long after that. But more than a century and a half down the line, another German emperor actually did do what Otto might have been planning. 

On 29th December 1165, Emperor Frederick I Barbarossa held a magnificent ceremony at Aachen, and Charlemagne was officially declared (canonised) as a saint. That this was done to make a very explicit political point, there's no reasonable doubt. You see, Frederick I Barbarossa had refused to support Rolando of Siena in the papal election of 1159, because he was anti-imperial. Indeed, as papal legate in 1157, Rolando had suggested to Barbarossa that the Empire was nothing but a fief of the papacy, and that the emperor therefore owed homage to the pope as his feudal lord, and for that was nearly run-through with a sword by Otto von Wittelsbach, Barbarossa's right-hand man, narrowly saved by the emperor's timely intervention.  Frederick Barbarossa thus backed his own candidate, Cardinal Octavian, known for his pro-German and imperial sympathies, and thus in 1159 two popes (Alexander III and Victor IV) were elected, who then promptly excommunicated each other. The Empire thus entered a state of cold war with the papacy, and when Victor IV (Cardinal Octavian) died in 1164, Barbarossa proceeded to elect another pope of his own - Paschal III. Barbarossa thus desperately needed to show that the authority of the German emperors came directly from God, not from being crowned by the popes. Already in 1158, his chief propagandist, Rainald Von Dassel, archbishop of Cologne, had claimed that the emperors ruled in direct succession from Augustus Caesar. Before then the Romans had enjoyed a special place in God's plan for humanity since the foundation of the city of Rome itself by Romulus. The Empire, the imperial office and its sacred authority were thus older than Christianity itself. But Barbarossa needed more than that. He needed to show that Charlemagne, the first emperor to be crowned by the pope, didn't actually need the pope to make him holy and give him sacred authority. And what better way to do that than make Charlemagne a saint!

Now every saint needs their relics. So Frederick Barbarossa and his advisers got them together. Like with a lot of saints' relics, many of the ones they chose were completely fake - the so-called "hunting horn of Charlemagne" was actually made in tenth century Egypt and so it couldn't possibly have ever been in Charlemagne's possession. But the hunting knife of Charlemagne was indeed from his lifetime, and so far as we can tell today it did actually belong to him. Still, many people at the time remained totally unconvinced. And in 1177, Frederick Barbarossa gave up with his struggle against Pope Alexander III and came to terms with him at the Peace of Venice. Two years later, at the Third Lateran Council, Pope Alexander III declared Charlemagne's sainthood invalid, along with all other decisions made by Barbarossa's anti-popes Victor IV and Paschal III. Alexander's successor, Innocent III (r.1198 - 1216), softened his position somewhat and allowed Charlemagne to be a figure of purely local veneration in Aachen and four other German towns. 

The ultimate failure of the German emperors to canonise Charlemagne is a huge contrast to what happened elsewhere. Other European monarchies were much more successful in getting a royal saint and thus proving that their authority was sacred. Norway acquired its royal saint, Olaf Haraldsson (r.1015 - 1028), within a generation of its conversion to Christianity when Bishop Grimketel of Nidaros canonised the recently deceased king as a saint. Though this was of course before the papal revolution, the papacy did not retrospectively quibble with it. Hungary got its royal saint, King Istvan I (r.1000 - 1038), when Stephen's grandson King Laszlo I got his wish on 15th August 1083 from none other than Pope Gregory VII. Around the same time as Frederick Barbarossa was locked in his cold war with the papacy, King Henry II of England, who had backed Pope Alexander III in the election, got his wish (and that of the monks of Westminster Abbey) granted on 7th February 1161 when Alexander issued a papal bull declaring Edward the Confessor to be a saint. And past the end of our period, the French monarchy got St Louis IX (r.1226 - 1270) canonised in 1297 as part of a compromise over church-state relations between King Philip IV the Fair and Pope Boniface VIII. So really, how well you got on with the legitimate pope was what decided everything. Its a huge myth that the papal revolution of the eleventh century secularised kingship, and that royal authority only became sacred and God-given again with the Reformation and the rise of absolutism in the sixteenth century. Meanwhile, of course, the knife of Charlemagne was preserved in the cathedral treasury at Aachen, where it still is to this very day. 

Object number seven: a monumental lapidary inscription of Abbot Audibert, 838 AD (Castelvecchio Museum, Verona, Italy, visited 10 June 2022) 




This monumental inscription on a large medallion of white marble was made in the year 838 by Abbot Audibert. That Audibert chose a circular shaped block of stone rather than the traditional rectangular one is itself noteworthy, though as is so often the case we can't know his reasoning. Following in the tradition of ancient Roman monumental inscription, such as the one we saw on the tomb in part 1, it is written in square capitals. Some basic religious imagery also features in that the image of the cross has been carved onto the stone medallion and part of the inscription is written inside it. The inscription itself is fairly simple and reads (again, all faults with the translation are my own):

Abbot Audibert renovated this oratory of Saint Donatus in the twenty-fifth year of the lord emperor Louis [838].

Apart from this, we know nothing about Abbot Audibert. Unlike Alcuin, Theodulf of Orleans, Adalhard of Corbie, Benedict of Aniane, Rabanus Maurus, Lupus of Ferrieres, Hincmar of Rheims and a whole host of other Carolingian churchmen I haven't cared to name, this Veronese abbot didn't write any books and stayed well-clear of court politics. Nor is there any mention of him in any published ninth century charters (from a quick google search). By his work shall ye know him!

What we can tell is that Audibert obviously wanted to be remembered for posterity as a builder and restorer of churches, otherwise he wouldn't have put up this inscription. In this sense, he followed expectations of what made a good bishop or abbot that went back to at least the fifth century Roman Empire. We can also tell that his education was not up to the standards expected of a senior cleric in the Carolingian period. For example, he uses the ablative oratorio where the accusative oratorium would be more appropriate and domino where the genitive domini should go. Alcuin or Lupus of Ferrieres would be senseless with rage if they saw these grammatical mistakes. This taps into the question that historians have debated a lot since the 1970s - how far down did Carolingian educational reform really go? 

As a final thing to note, Audibert dated his inscription according to the year of the reign of Emperor Louis the Pious (r.814 - 840) he wrote it in. Emperor Louis the Pious had been crowned as co-emperor and Charlemagne's successor in 813, so twenty-fifth year of his reign mentioned on the inscription would have been 838. All official documents of the Carolingian monarchs were dated according to regnal year, as indeed are those of British monarchs today - Elizabeth II passed away in her 71st regnal year and we are currently in year 1 of the reign of Charles III. That a relatively minor, local figure not connected to the Carolingian court and not living in a Carolingian powerbase would date his inscription like this is indicative of the strong royal authority and legitimacy the Carolingians had across their empire by the 830s. By contrast, the use of AD dating, which began to enter mainstream use in Western Europe in the eighth and ninth centuries, or other alternative methods of reckoning the years on an official document or inscription would indicate an ebbing-away of royal power or that an attempt to replace the reigning dynasty was on the cards. Indeed, some regions, like Catalonia in the years after 987, continued to date their charters according to the regnal years of the Carolingian monarchs even after Carolingians ceased to reign anywhere. 

Object number eight: an ivory casket panel of the rape of Europa, made in Constantinople, 980 - 1010 AD (Victoria and Albert Museum, London, visited 27 October 2022)


Moving eastwards and towards the end of the first millennium, the next object I've chosen is an ivory panel which belonged to a casket made in Constantinople sometime in the closing decades of the tenth century, or possibly at the beginning of the eleventh. It depicts the Greek and Roman myth of the Rape of Europa. In the centre of the panel is Europa riding on the back of Zeus/ Jupiter, who is disguised as a white bull. Europa is clinging on to the bull's neck as he swims through the sea whilst waving her scarf. A cupid flies down to crown her with a laurel wreath, while another cupid wades into the sea with a flaming torch before the bull. On the left, Europa's female companions watch in amazement with their arms outstretched. On the right, Ares/ Mars and Aphrodite/ Venus begin to embrace each other on the further shore where Europa and the bull are headed, perhaps a foreshadowing of what is to come - Zeus, being Zeus, would go on to have sex with Europa, and King Minos was born.

This isn't the only ivory casket panel from the tenth and eleventh century Roman Empire (what most historians would now call the Byzantine Empire) to show scenes from Classical mythology. Just opposite this object in the exact same room in the V&A, you can find the much more intact Veroli Casket, also made in Constantinople and in roughly the same timeframe. The panels on the Veroli Casket show various images of the god Dionysus/ Bacchus, as well as scenes from the stories of Bellerophon and Iphigenia. We're clearly dealing with a cultural environment in which knowledge of the Greek and Roman myths was highly prized. Wealthy people would thus have stories from them displayed on their more luxurious household objects, to demonstrate how learned and cultured they were. The fact that the casket panel is made from carved elephant ivory, imported to Constantinople from Africa at great expense, shows that it was also meant to demonstrate the owner's wealth. Whoever it belonged to must have been a very wealthy member of the Roman elite, possibly a high-ranking bureaucrat or military officer at the imperial court in Constantinople or a senator - the Roman senate still existed in the East until the thirteenth century. 

Of all the objects in this series, this is the second-most secular. This is because, while it depicts gods, these were gods that no one believed in by the time this object was made. The Roman East had been thoroughly Christianised in the fourth to sixth centuries. Some isolated pockets of paganism survived until quite late. The Maniotes, who lived in the middle finger of the Peloponnese and claimed descent from the ancient Spartans themselves, weren't converted until the reign of Emperor Basil I (r.867 - 886) according to the manual on statecraft and foreign policy written by his grandson Emperor Constantine VII (r.913 - 959). Needless to say, the Mani peninsula was an exceptional case, being a remote, mountainous, wild and effectively ungovernable region. Later on, French crusaders, Venetians and Ottoman Turks alike had only the most shaky control over the Mani, and the bandit clans and pirates that still dominated the region in the nineteenth century gave the modern Greek state a massive headache. It suffices to say that by the 980s, worship of Zeus and the other Olympian gods was no longer in anyone's living memory. Asides from a small Jewish minority, who were generally free of persecution, everyone in the Roman Empire was a Christian. 

Indeed, Christianity, specifically Greek Orthodox Christianity, is such a big part of how we view the medieval Roman Empire, or as we now prefer to call it, Byzantium. When "Byzantine Art" comes to mind, we tend to think of mosaics and icons with ethereal gold backgrounds, of the Theotokos (the Virgin Mary) in shapeless robes of lapis lazuli, of stern-looking and majestic-looking Christ Pantokrator (literally as ruler of the universe) and saints and emperors wearing timeless garments. Yet, like with a lot of what we think we know about Byzantium, this view of Byzantine art is ultimately misleading. Plenty of secular art of a very different style existed in the Roman Empire of the tenth to twelfth centuries.

Around the time this casket was made, the Roman Empire was going through what historians call "The Macedonian Renaissance." Under the so-called Macedonian dynasty of emperors (867 - 1056), contemporaries to Alfred the Great and the West Saxon kings of England, the Roman Empire enjoyed a new period of military success and cultural revival. A series of reconquests against the Arabs and Bulgarians led to Cilicia, Armenia, Northern Syria, Cyprus, Crete and the Balkans being reconquered. By 1025, at the death of Emperor Basil II, one of the greatest soldier emperors, the Roman imperial frontier was once again at the Danube and Euphrates for the first time since the seventh century. Just like in the time of Augustus, Trajan and Constantine, the Roman army was still the strongest, most disciplined and professional fighting force in all of Europe, and its generals had such a strong grasp of military tactics and strategy, they even wrote treatises on them.  A new building-boom for churches, both in the capital and in the provinces, was in motion and would continue into the twelfth century. And the study of Classical Roman literature and history was thriving. Great encyclopaedias of ancient Greek and Roman authors like the Excerpta Constantiniana and the Suda were compiled in the mid-tenth century under the orders of Emperor Constantine VII. Meanwhile, good working knowledge of Homer, Plato and Dio Cassius were essential parts of education for anyone who wanted to be a member of the governing class, as a civil servant, bishop or general. It was this kind of cultural milieu that produced art like this. Indeed, judging from the artistic style of the ivory panel, which pays a great deal of anatomical detail to the human figure and shows Europa, her companions, Ares and Aphrodite wearing recognisably Classical garb, its clear that the craftsmen who made it had some familiarity with Hellenistic and early Imperial Roman art. Indeed, Constantinople in this period was something of a veritable art museum that contained the best of ancient sculpture, almost all of which has since vanished without a trace. Thus this artwork represents a revival of Classical culture, and how the now thoroughly Christian Roman Empire still looked back fondly on its pagan past.

Object number nine: A coppery alloy statue of the Hindu god Ganesha, made in Thanjavur in southern India, 1000 - 1200 AD (Victoria and Albert Museum, visited 10 December 2022)



Now for the penultimate object, we will be going yet further east and to a region, or should I really say, a subcontinent, whose history I know very little about. Of course, this ignorance of Indian history is far more widespread. Indeed, the recent move towards a "Global Middle Ages" hasn't done a particularly good job of integrating India into it, as opposed to China or West Africa. Often those who try to include the Subcontinent in global comparative histories make a frankly token effort and read just one book. Yet, from my perspective as a western early medievalist, India definitely belongs to a "Global Middle Ages." India was very much in the minds of early medieval westerners in ways that China and West Africa were not. The ancient Greeks and Romans had almost nothing to say about those latter two regions, and Western Europeans had no direct contact with them until the thirteenth century. The Islamic world, on the other hand, did have direct contacts with both China and West Africa through trade by the ninth century. Thus some would interpret this as simply indicative of Western Europe being a peripheral, backwater region in the early medieval period. That argument can be had, though as you can guess I'm not particularly sympathetic to it.

But India definitely was on the minds of early medieval Western Europeans. It was often mentioned by the Classical authors who were read in the fifth to twelfth century West. Early medieval Christians believed that in 53 AD St Thomas the Apostle had sailed over to Kerala in southern India and established a Christian church there. Our old friend Gregory Tours, writing in 590, describes how a certain passing acquaintance of his called Theodorus had visited the shrine of St Thomas in India and told him about it. Indian pepper was consumed at the Merovingian royal court in the seventh century and was known to the Venerable Bede in the early eighth. And in 883, according to The Anglo-Saxon Chronicle, Alfred the Great sent two envoys to India to provide gifts for the shrine of St Bartholomew - Caitlin Green has made a strong case for this being an event that actually happened. India also appears on an eleventh century Anglo-Saxon world map, whereas China doesn't. 

This object came from the Chola kingdom, located in the tip of the Indian peninsula. The Cholas wrote and spoke the Tamil language, one of the official languages of southern India and Sri Lanka. Tamil is a Dravidian language, which means its a language that was historically spoken by the indigenous pre-Indo-European inhabitants of the Indian Subcontinent, and still is spoken by their descendants today. By contrast, in northern India, the lingua franca was Sanskrit, an Indo-European language, related distantly to Latin and Greek, which occupied a similar position to Latin in the early medieval West, as a language of religion, administration, classical literature and elite culture. From my very limited outsider knowledge, the Cholas are fascinating but not easy to study. They have very different sources that we do for early medieval Western Europe, Byzantium, the Islamic World or China. We have no narrative histories for them, though we do have Tamil poems, king-lists and royal sagas. We also have lots of surviving copper-plate inscriptions in Tamil, which mostly record land transactions and other economic arrangements. We also have an abundance of temples and artworks surviving from the Chola period, though they're very difficult to precisely date. 

The history of the Cholas goes back a very long way indeed. Indeed, they're first mentioned in northern Indian sources in the third century BC, as southern neighbours of Ashoka (304 - 232 BC), the ruler of the Mauryan Empire (321 - 185 BC). The Mauryan Empire was the first proper empire in Indian history, which controlled almost the entire subcontinent except the southern tip (where the Cholas were) but only for two generations before it broke up. Graeco-Roman sources also briefly mention the Cholas, such as the Periplus of the Erythraean Sea and the Geography of Ptolemy. However, the Cholas only really start to generate writings of their own from the seventh century AD. Alfred the Great's envoys, Sigehelm and Aethelstan, probably visited the Chola court if they ever made it to the Shrine of St Thomas in India in the first place - if they did, its a shame no records of it survive as I really want to know what it would have felt like to be Anglo-Saxon visiting India in the ninth century. In the late ninth and tenth centuries, the so-called Imperial Cholas formed a powerful Empire in southern India that by 1000 covered all of the modern Indian states of Kerala and Tamil Naddu and most of Karnatka and Andhra Pradesh, as well as the northern half of Sri Lanka. Their most powerful ruler was Rajaraja I (r.985 - 1014 AD), a contemporary of Aethelred the Unready, Basil II, Hugh Capet, Otto III and so many of the other people I'm interested in. He was an very skilled military commander who expanded the Chola Empire to its furthest extent and centralised government, turning the local tribute-paying vassals, autonomous chieftains and client kings into appointed officials dependent on the state. In the early decades of the eleventh century, Rajaraja created anthologies of all the great early Tamil poets, much like Constantine VII had done in the Roman Empire a few generations earlier. And In 1000 he organised a massive land survey of his entire empire, and reorganised all the administrative districts - its too tempting to make comparisons between Rajaraja and William the Conqueror (both of whom did live in the same century) here. Finally, Rajaraja also established trade links with Song China and Chola embassies were received at the Chinese imperial court in Kaifeng on multiple occasions in the eleventh century. After the mid-twelfth century, the Cholas went into decline but their dynasty didn't end until 1279. One has to be impressed with how long they lasted - more than a millennium and a half. Only the Imperial House of Japan (the Yamato), in continuous existence since 660 BC, can compare with them for sheer longevity. 

The Cholas were a staunchly Hindu dynasty and this is reflected in this artefact. It depicts the Hindu god Ganesh, and it was produced in Thanjavur, one of the most important Chola cities where Rajaraja I founded the great 66 metres tall Brihadisvara temple in 1010 AD. The statue shows Ganesh standing. In his four hands, he holds a noose, an elephant goad, a wood apple and a broken tusk. He wears a coronet, a necklace, armlets, anklets and a loincloth and has a regal bearing about him. His plump belly reflects his fondness for sweetmeats. According to some Hindu texts, Ganesh was beheaded by his father, Lord Shiva, when he accidentally mistook him for a rival. He promised to his wife, Parvati, to replace Ganesh's head with that of the first animal that would come along, and that happened to be an elephant. This statue of Ganesh would be used for religious processions, in which he would be carried on the parade up to the temple on a palanquin behind the statues of his mother, Parvati, and father, Lord Shiva. The statue would also receive prayers and offerings from people about to embark of business ventures. You see, Ganesh had originally been a God of agriculture, but by the eleventh century he was starting to be seen as a patron of merchants and commerce. Indeed, Chola India was experiencing an economic and commercial takeoff in the period this statue was created, much like the one going on simultaneously in Western Europe. Just like in eleventh and twelfth century Western Christendom in Chola southern India the explosion of religious devotion, artistic production and economic growth all went hand in hand. 


Object ten: Champleve enamel reliquary box of the martyrdom of St Thomas Becket from Limoges, France, 1180 - 1190 AD (Victoria and Albert Museum, London, visited 27 October 2022)


Our final object continues the previous object's theme of religious devotion, but brings me back to much more familiar historical territory and much closer to home. It is a reliquary casket, made to house the relics of the saint for veneration. which shows the martyrdom of St Thomas Becket in Canterbury Cathedral by four knights (though only three are depicted here) on 29th December 1170. The drama of the whole scene is very well-captured by the artist who designed it here. A knight decapitates the Archbishop of Canterbury while he nonchalantly picks up a chalice from the altar, appropriately laid out for religious services, as part of his duty of performing the mass. This makes him appear both if he has no care at all about what is going on around him and is just going to carry on with his duties to God (performing the mass was and is literally called "divine service"), and like he has heroically accepted martyrdom. There's no indication that he's trying to fight back, run away or bargain with the knights. He thus appears the perfect martyr for Christ. The knights, who are not wearing their armour like they are often depicted, appear suitably thuggish and menacing. The first knight decapitates Becket, while the other two advance with drawn axes and swords. Meanwhile two monks of Canterbury cathedral priory stand with their faces aghast and their arms held up in terror. On the rectangular roof panel above, we see on the left the dead archbishop of Canterbury in his funeral shroud while a bishop and a number of other clerics perform the customary funeral rites. On the right we see Thomas Becket's soul ascending straight up to Heaven, flanked by two angels carrying his shroud.

This reliquary box was one of 52 showing the same scenes (the martyrdom of St Thomas Becket, his funeral and ascent up to heaven) made in Limoges in the Duchy of Aquitaine in France, using the champleve enamelling technique. Limoges was one of the three leading production centres of champleve enamel objects in Western Europe in the twelfth and thirteenth centuries, along with Cologne in the German Rhineland and Liege in what is now Belgium. Its been estimated that 7,500 champleve enamel objects manufactured in Limoges survive from the period 1160 - 1370; Limoges enamels went into swift decline following the Black Prince's sack of Limoges during the Hundred Years' War, though some were still being produced as late as 1630. The technique required to make champleve enamel caskets like this involves the following steps (you can also watch the video of it being done here):
  1. A regular wooden casket is made.
  2. Plaques are cut out from a larger sheet of copper and designs are drawn onto them using a mathematical compass or pointed tool.
  3. Holes are drilled using a bow drill in the borders of the plaques to allow them to be nailed onto the wooden core.
  4. Troughs are cut into the metal to hold the enamel.
  5. The enamel is made by grinding glass with mortar and pestle, and mixed with water. 
  6. The wet enamel is then laid on the plaques using a quill.
  7. Once all the colours have been laid on to the copper plaque, the kiln is then fired up to 1000 degrees Celsius and the plaques are placed inside it - a medieval enameller would have needed to rely on his own judgement as to when the kiln was hot enough.
  8. The plaques get fired in the kiln for a few minutes, then left to cool before the process gets repeated two or three times.
  9. The plaques are then cleaned with a special stone, additional engravings for decoration are added and the exposed bits of copper get gilded.
  10. The enamel plaques get hammered onto the wooden casket with nails.
Those medieval craftsmen were truly capable of some incredible things weren't they!

Its artworks like this reliquary box (and the fact that there are 52 others almost exactly like it) which really illustrate the historical significance of Thomas Becket's murder. In 1178, less than a decade after it happened, William II (r.1166 - 1189), the Norman king of Sicily, had a mosaic of Thomas Becket created in the cathedral-monastery complex he was building at Monreale in the hills just outside Palermo. I had the pleasure of visiting Monreale last July - its a wonderful place. In 1191, 21 years after Becket's murder took place, it was carved onto a baptismal font in a church in Skane in southern Sweden (then a part of the kingdom of Denmark). Across the next three hundred years, Thomas Becket's story would be told in countless artworks not just from England and France but also from Spain, Germany, Italy and Norway, and in 1232 in Poland a new Cistercian abbey church was dedicated to him. King Henry II of England, whose anger at the archbishop was generally acknowledged by contemporaries to be the root cause of Becket's murder, decided to make amends for it by building masses of new churches. These required vast amount of lead for pipes, roofs and stained glass windows, which were mined and smelted in the Peak District and Cumbria. The atmospheric lead pollution created by all this lead-smelting shows up in the cores of glaciers in the Swiss Alps. Close analysis of these by modern researchers has shown that this building boom in response to Thomas Becket's murder caused levels of lead pollution not seen since the fall of the Western Roman Empire in the fifth century, and which would not be equalled again until the start of the Industrial Revolution in the eighteenth century. Thomas Becket's murder was thus a significant event in environmental history.

Significant is generally a word one would choose to apply to Thomas Becket. Becket's martyrdom provided the main inspiration for one of the few clauses of Magna Carta that is still on the UK statute books today "the English Church is to be free in perpetuity and to have its rights in full and its liberties intact." Thomas Becket's shrine at Canterbury eclipsed that of St Cuthbert at Durham as the most popular pilgrimage site in England, and had it not been for that then one of the greatest works of English literature (Chaucer's Canterbury Tales) would likely never have been written. As pointed out earlier, he was venerated in churches across Western Europe. Thomas Becket became such a powerful symbol of resistance to royal authority that Henry VIII had the saint's shrine destroyed and his bones pulverised to dust in 1538. And as a trainee secondary school history teacher, I can confirm that he's one of the most popular topics to teach in secondary schools at Key Stage 3 level (11 - 14 years old). Even schools with the most minimal commitment to teaching medieval history at Key Stage 3, as per the broad-brush, inspecific requirements of the National Curriculum, and which teach none at GCSE (14 - 16 years old) and A Level (16 - 18 years old), will teach Thomas Becket's murder. The other topics typically included within the bare minimum of medieval history taught at Key Stage 3 are the Norman Conquest, the Magna Carta, the Black Death, the Peasants' Revolt and some more general stuff on medieval life, religion and justice. Its interesting to consider why Becket is such a popular topic to be taught to schoolchildren, typically in year 7 (11 - 12 years old). I have yet to teach it myself, though I suspect that among the reasons are that its an inherently gripping and dramatic story with some big personalities involved (Henry II and Becket) and lots of gore. Its a good topic for introducing Key Stage 3 pupils to the second order concepts of historical significance (ditto) and evidence and enquiry (we have plenty of contemporary sources and even an eyewitness account from Edward Grim, one of the monks who saw the murder). Finally, its the perfect case study for exploring the key theme of the relationship between the crown and the church in the Middle Ages. 

Which brings us on to the final thing for us to think about. Why did I choose to end the series of ten objects with this one? And does Thomas Becket belong in the early middle ages at all? I've tried to evade the question of periodisation until this point. But I don't think I can any longer. What I can say is that most historians would not consider Thomas Becket as early medieval. The general agreement among academic historians is that the Middle Ages, conventionally spanning about a thousand years of European history, make no sense as a single period and have to be broken up into smaller sub-periods. But what are those sub-periods and where do we draw the cut-off points. French and Italian medievalists generally divide the Middle Ages in two - into an "upper" and lower" medieval period, with the cut-off point typically being somewhere in the eleventh century. Meanwhile, British and German medievalists typically divide it into three - into an early medieval period, a high or central medieval period and a late medieval period. As to where exactly the early middle ages becomes the high or central middle ages, there is no agreement. Some would go as early as 900, with the final breakup of the Carolingian Empire giving birth to the early forerunners of the European states we now know and love (France, Germany and Italy), as well as generally pointing the way to a post-imperial future for the European Continent (tell that to Frederick Barbarossa, Charles V, Napoleon and Hitler). Others would go as late as c.1100, with similarly earth-shattering events like the Investiture Controversy and the First Crusade. Parochially, most English historians can't resist the power of 1066 as a marker for the great divide. But generally, from a European perspective, most Anglophone historians would go for sometime in the half centuries on either side of the year 1000 as the dividing line between early and high middle ages. Its between 950 and 1050 that the last of the barbarian invasions (Vikings and Magyars) cease and the final remnants of ancient Roman society disappear from Europe (i.e., agricultural chattel slavery). Its also when general signs that Europe is really entering the "real" Middle Ages start appearing - monastic orders, castles, knights, serfdom, primogeniture, giant Romanesque cathedrals and popular heresy. Very few historians, however, would take the early middle ages into the twelfth century. Partly because, if your early middle ages go beyond 1100, then you haven't got much of a high middle ages left before you have to move on to the late middle ages sometime around 1300 - unless, of course, you believe the middle ages really end in the eighteenth century (as some do). Also, can you really call the century that sees the invention of tournaments, Gothic architecture, the scholastic method, universities, Arthurian romances and windmills, as well as the earliest beginnings of merchant capitalism, the middle class and modern bureaucratic government, "early medieval" by any sane definition? 

Personally, I would go for 1000 as the end of the early middle ages - it really is as good an end-point as any. But I include the eleventh and twelfth centuries within my remit, just like how I include the fifth and sixth centuries there too despite some people's protests that that's still late antiquity. Change doesn't happen overnight and everything comes from somehow. And the period 400 - 1200, the timeframe covered by this series and more broadly by this blog, is quite simply what fits in all the bits of history that I love the most.

But for more than just completely subjective reasons, I think Thomas Becket deserves a place here in the story of the early middle ages in ten objects. In part, its to show that we have well and truly left the early middle ages. Lurking in the background of Thomas Becket's story is the papal revolution. The original dispute that led to Henry II and Thomas Becket falling out in 1164, over whether or not the clergy should be put under the jurisdiction of secular courts, was a direct result of the papal revolutionaries' sustained attempts since the mid-eleventh century to decrease the control of kings over the clergy. And the fact that Becket was canonised by the Pope in 1173, only three years after his death, is indicative of how the papacy was taking control of the process of making saints, one which would be complete by the Fourth Lateran Council in 1215. Becket's story thus illustrates how the papal revolution of the eleventh century had irreversibly changed medieval power relations and the church. The fact that Becket became venerated in places as far apart from each other as Scandinavia, Spain and Sicily also demonstrates how much Latin Christendom had both expanded and become more unified in the post-1000 period.

But some of Becket's story would have still been familiar to people from the early middle ages. In particular, what came towards the very end of it. On 12th July 1174, Henry II walked barefoot through the streets of Canterbury, entered the cathedral, ordered the very monks who had witnessed Becket's murder to whip him and received 300 lashings from them. The next morning he heard that the Scottish king, William the Lion, had been captured and northern England was finally safe from invasion. Shortly after that, his rebellious barons sued for peace and his sons, Henry and Richard, and wife Eleanor also surrendered, thus ending the three year political crisis and civil war that had engulfed England after Becket's death. Now this kind of phenomenon, of a king performing penance for the health and salvation of the state, would be completely recognisable to the Carolingians. There are echoes of Emperor Louis the Pious' penance at Attigny in 822 for the blinding of his nephew Bernard of Italy here. Political penance was generally a very early medieval thing as went with the grain of a very early medieval conception of kingship, originating in the seventh century, that the king was personally accountable to God for the moral and spiritual welfare of his people. Before the Carolingians, Visigothic kings had pioneered political penance, and after them the Ottonians and Anglo-Saxons made use of it too - Otto III and Aethelred the Unready would have congratulated Henry II on what he did in 1174. But as it turned out, Henry II's pilgrimage to Canterbury was the last great act of political penance done by a medieval king. In that sense, if in that sense only, the Becket controversy did indeed mark the end of an era. 

And so ends our story of the early middle ages through ten objects. I apologise for it not providing a coherent narrative. But what I have tried to do is at least provide some common themes and show the sheer richness of Eurasian history and material culture in this period. I hope that at least in that endeavour, I have succeeded. And as this is the first post of 2023, I would like to wish a Happy New Year to you all. 

Sunday, 18 December 2022

From the sources 9: self-righteousness and hypocrisy in the eleventh century reformation Part 3

 

The most enigmatic scene from the Bayeux Tapestry. A cleric in secular clothing touches the face of a mysterious woman called Aelfgyva in a bizarre intermission from the story of Harold Godwinson's visit to Normandy in 1064. Some think its an allusion to a notorious sex scandal at the time - it looks like the cleric is amorously caressing Aelfgyva, and in the border below a naked man is touching his genitals. The Bayeux Tapestry was most likely made between 1068 and 1070, not long after the time Guibert's family started searching for a church prebend for him.

So last time I gave my best attempt at a crash course on the papal revolution. But now let’s zoom back into the juicy details of Guibert’s autobiography and see how all this played out at the grass roots.

We’ll firstly revisit that quote from Guibert that was the stumbling block that led us on to the papal revolution:

At that time, the Holy See had initiated a new attack against married clerics. Consequently, some zealots began railing against these clerics, claiming that they should either be deprived of ecclesiastical prebends or forced to abstain from priestly functions.

Now the specific moment in the papal revolution that Guibert is referring to when he says “at that time, the Holy See had initiated a new attack against married clerics” is in the spring of 1059, when Pope Nicholas II convened the Synod of Rome. This was a key point of escalation in the papal reform movement, as one of the most important outcomes of the synod was the creation of the college of cardinals to elect the pope – until 1059, popes had been installed on the throne of St Peter either by the emperor, the aristocratic clans of Lazio or by the Roman citizen mob. But it was also there that he continued what Leo IX did at Rheims in condemning simony, though he went a step further in outlawing all lay investiture even from the German emperor, who could continue to invest bishops once he had acquired that right from the Pope – this would be key in leading up to the struggle between Emperor Henry IV and Pope Gregory VII. But what it also did was condemn clerical marriage, by forbidding any deacon or priest known to live with a woman from assisting and celebrating at the Mass. And as Guibert indicates clearly in this passage, these measures were widely supported by ordinary lay Catholics.

Early twelfth century fresco of Pope Nicholas II at the basilica of San Clemente Laterano in Rome, appearing no doubt as he did when he issued the legislation outlawing clerical marriage at the Lateran Council, which took place almost in the exact location where this fresco is, in 1059.


This event would have been one of the most discussed and divisive political events of Guibert’s childhood, almost like 9/11, the wars in Afghanistan and Iraq, the 2008 financial crash, the election of Obama, the Coalition’s Austerity programme and the raising of tuition fees, the Arab Spring and the Syrian Civil War, Brexit and the rise of Donald Trump were for mine. And it really does testify to the growing power of the papacy that for the first time since the days of the Roman Empire, decisions made in Rome could be have effects on minor provincial towns in Northern France. But what’s also so interesting about this is that Guibert, despite being a serious Benedictine monk who struggled with self-loathing and guilt about his own sexual urges, finds the idea that clerics should be celibate too quite horrifying. You can tell from the language he uses to describe the campaigners against clerical marriage not as heroic moral reformers but as crazy fanatics trying to force good decent people to accept their ideology. Sounds almost familiar, doesn’t it! Indeed, as I’ll no doubt show you in future posts, Guibert was in many ways quite a conservative writer, who did not like the way politics, society and culture were headed. But why was the idea that deacons and priests should not have wives or have sex so radical?

Of course, contrary to what some historians specialising in the high and later Middle Ages (1050 – 1500), especially those specialising in sexuality and gender, tend to think, this wasn’t an idea that had come completely out of blue. Instead, the idea that clerics must be celibate had been floating around for a very long time. Here we are of course wading into incredibly theologically sensitive territory, as Catholics view clerical celibacy as an ancient and unshakeable apostolic tradition, whereas Protestants see it as an evil papistical innovation lacking in any Biblical foundation whatsoever which leads priests down the path of sin because they don’t have the right outlet for their natural urges (the marriage bed). Greek and Russian Orthodoxy sit between the two extremes. Bishops in Eastern Orthodox are generally not allowed to marry – indeed, they are often expected to be former monks. But ordinary priests and deacons are allowed to marry and have children, though they are expected to get married before their ordination, and this has been the tradition in Eastern Orthodoxy since the Middle Ages. Indeed, going back to late antiquity, the morals of priests has always been much more of an issue in Latin (Western) Christianity than in Greek (Eastern) Christianity. To Greek Christians in the fourth to seventh centuries, what mattered most to a church congregation was whether or not your priest believed in the correct theological doctrines, especially concerning the nature of Jesus Christ (whether he was more divine or human, or equally both). Whereas to Latin Christians in that period, and ever since, the question that mattered most was “is my priest a good man?” This is one of the many super-insightful things that Chris Wickham brings up in the “Inheritance of Rome”, which I’m still reading for fun at the moment.

The New Testament doesn’t say anything in favour of clerical celibacy. While, unless you’re Dan Brown, it is indeed true that Jesus of Nazareth himself was not married and never had sex, some of his disciples undoubtedly were. Matthew 8:14 mentions Jesus healing Peter’s mother-in-law – the first Pope was therefore a married man. St Paul in his First Epistle to the Corinthians 9:5, mentions that two of the other original twelve apostles, Jesus’ brothers James and Simon, were also married. And so far as we can tell from what Jesus says in the Gospels, he had nothing bad to say about marriage.

However, St Paul, without whom Christianity would have remained an obscure Jewish sect, had an ambivalent view of marriage. He may have been married before he went on the Road to Damascus, but by the time he was spreading the word of Jesus and writing his epistles he was single. Also, and this is really crucial, St Paul argued that being a lifelong virgin was the best possible choice for a Christian – in Corinthians 7:1 he wrote “it is good for a man not touch a woman.” This was because he believed that virgins had greater devotion to God than married men and women. In Corinthians 7:32 – 34 he wrote “He that is unmarried careth for the things that belong to the Lord, how he may please the Lord: but he that is married careth for the things of the world, how he may please his wife. There is difference also between a wife and a virgin. The unmarried woman careth for the things of the Lord, that she may be holy both in body and in spirit: but she that is married careth for the things of the world, how she may please her husband.” But this doesn’t mean that St Paul opposed marriage outright. Instead, he argued that men and women should marry if they couldn’t contain their lust, because that way they’d avoid sinning. As he wrote in Corinthians 7:8 – 9 “it is good for them if they abide even as I. But if they cannot contain, let them marry: for it is better to marry than to burn.” And, and this is crucial to what we’re focusing on here, he did not advocate for clerical celibacy. In his First Epistle to Timothy 3:2, he wrote “A bishop then must be blameless, the husband of one wife, vigilant, sober, of good behaviour, given to hospitality, apt at teaching.” Its safe to say that this job description for priests and bishops was the one most widely held to by Christian communities in the first three centuries of Christianity.

Where things really started to change was in the fourth century AD, when as we said before bishops stopped being just local community leaders and essentially became officials under the patronage of the Roman Emperor following the conversion of Constantine the Great. That in itself didn’t do anything to endanger clerical marriage, but the more Christianised late Roman society became, the more issues flared up. Along with the rise of the first Christian monks and hermits, an ascetic invasion took place in which the ranks of the bishops and other church leaders came to be filled with admirers of these holy men and women who believed that virginity was spiritually superior to marriage. I can’t possibly do justice to explaining the rise of Christian asceticism, all I can say is read literally anything by Peter Brown (a living legend) as he’s been the undisputed expert on this stuff for the last fifty years. Among the biggest supporters of asceticism were St Ambrose of Milan, St Martin of Tours, St Jerome and St Augustine of Hippo. They were opposed by many people, including Jovinian, who argued that marriage and virginity were equally good and thus had a lengthy spat with Jerome over it. By the end of the fourth century, the ascetics had definitely won out over their enemies and almost all the writings of the anti-ascetic faction in late antique Christianity do not survive to us today, either being targeted for destruction or simply neglected over the centuries. And in the 390s, Pope Siricius made the first decree advocating celibacy for priests. Thus, by c.400 AD, clerical celibacy was the official ideological position of the Western Church and that did not change.

Did that decree actually make clerical marriage illegal and lead to any kind of systematic clampdown on married clerics. The short answer is, actually no. In the East, Pope Sicirinus was completely ignored and Greek Christianity has always officially allowed married priests, as I said before. But in the West too, for the next 600 years, clerical marriage was incredibly common and most of the time in most places basically tolerated. Indeed, it became normal for priests and even bishops to treat their churches as property that they could pass on to their sons. A good example is Archbishop Milo of Trier (d.753), who was a close ally of Charles Martel and may have been the uncle of Pippin Short (Rotrude of Hesbaye, Pippin’s mother, is his putative sister), both long-time friends of this blog. Milo was the son of Archbishop Leudwinus of Trier and his wife Willigard of Bavaria. He likewise had lots of children with his wife, and became the archnemesis of St Boniface, who disapproved of his worldly and warlike personality – fittingly enough, Milo died during a boar hunt. Not far from Trier, Archbishop Gewilib of Mainz was also married and was the son of Archbishop Geroldus. Gewilib was another warrior, who avenged his father after he fell in battle against the Continental Saxons on Charles Martel’s campaigns by slaying the Saxon warrior who killed him. He fell afoul of Saint Boniface too, and was deposed by him – back in St Boniface’s home country, Anglo-Saxon England, bishops were predominantly monks and therefore could not possibly be married. Some historians see a shift against clerical marriage, and certainly some Carolingian reformers were against it. For example, our friend Theodulf of Orleans wrote in the precepts for his diocese:

Let no woman live with a presbyter in a single house. Although the canons permit a priest’s mother and sister to live with him, and persons of this kind in whom there is no suspicion, we abolish this privilege for the reason that there may come, out of courtesy to them or to trade with them, other women not at all related to him and offer an enticement to sin with him.

Emperor Charlemagne’s own legislation left the situation much more ambiguous. In his General Capitulary for the Missi in 802, he wrote:

If, moreover, any priest or deacon shall presume hereafter to have with him in his house any women except those whom the canonical licence permits, he shall be deprived of both his office and inheritance until he be brought into our presence.

It is unclear whether the women included in the “canonical licence” for are just a priest’s blood relatives, or whether that would also extend to a lawfully wedded wife. Meanwhile the Penitential of Bishop Halitgar of Cambrai, written in the 830s, says a bit more clearly:

If after his conversion or advancement any cleric of superior rank who has a wife has relations with her again, let him be aware that he has committed adultery. He shall do penance with the foregoing decision, each according to his order.

What Halitgar meant by a cleric of superior rank is unclear. But what he’s saying is that if these clerics get ordained whilst still being married men, that’s fine, its just that they must swear off having sex once they’ve acquired their church positions.

Still, in the Carolingian period we continue to find plenty of married bishops, just as we also find plenty of bishops who led armies into battle and fought as warriors despite St Boniface’s condemnations of it in the 740s. Indeed, even Pope Hadrian II (r.867 – 872) was a married man with children, who remained married, sexually active and a family man after being appointed to the papal office. And among ordinary village priests and other lesser clerics, clerical marriage was normal and mostly unchallenged. We saw some of that in the Marseille Polyptych in 814. And as we go into the tenth century, we continue to see clerical marriage and priestly dynasties flourishing both inside and outside the former Carolingian Empire. In the cartulary of Redon in Brittany in the early tenth century, we see lots of priests passing down their offices to their sons for generation after generation. We can find lots of similar evidence from tenth century England, Wales, Scotland, Ireland, Northern Italy and Spain. The evidence from Anglo-Saxon England for clerical marriage in the period 900 - 1066 is plentiful, and most named priests in this period seem to have been the sons of priests, many of whom inherited the exact same church offices as their fathers, as painstaking research by Julia Barrow has shown. Indeed, many of these priestly dynasties in Anglo-Saxon England continued even after the Norman Conquest brought the papal revolution to England. William the Conqueror and Archbishop Lanfranc seem to have only really taken action against married bishops, like Leofwine of Lichfield (deposed in 1071), which is a big contrast to Normandy where clerical celibacy did make some headway in the late eleventh century, despite much division over it. Only in the century after 1150 did church reformers really succeed in imposing celibacy on English cathedral canons and parish priests. As a result, many churches in Anglo-Saxon and Norman England were basically the property of these priestly dynasties. For example, when the incumbent priest of All Saints’ church in Lincoln tried to give the church to Peterborough Abbey when he decided to become a monk there, the citizens wouldn’t allow him to remove it from the ownership of his family unless King William consented, a case which is recorded in the Domesday Book.

All Saints' Greetwell, Lincoln, today. Though the church saw some alteration in the nineteenth century, most of the eleventh century building is clearly visible.



A really good example of a clerical dynasty working in practice is the hereditary priests of Hexham in Northumberland, a father, son and grandson who held the parish church in succession from 1020 to 1138. The dynasty began with Alfred, who was also sacrist of Durham cathedral from 1020 until his death in 1041. He married the sister of Collan II, provost of Hexham to the bishop of Durham from 1042 to 1056, and together they had three children: Eilaf, who succeeded his father at Hexham; Hemming, who became priest of Brancepeth no later than 1055; and Ulkill, who was priest of Sedgefield no later than 1085. Eilaf, like his father, held an important position in the bishop’s administration as well, and from his marriage he had two sons: Eilaf Junior, who succeeded him as priest of Hexham; and Ealdred, who was a canon at Hexham Priory. Eilaf Junior became the new priest of Hexham in 1086, the year of the Domesday Book, and kept the office until his death in 1138, the year the Scots invaded Northumberland and were defeated at the Battel of the Standard.

Thereby, while the idea of clerical celibacy had been around for a long time, and influential in a lot of circles, and past precedent certainly did matter – the papal revolutionaries certainly did look back to the late Roman world, when the first calls for clerical celibacy had emerged, for inspiration a lot. Still, it had never been the norm down to the eleventh century. Thus, it was a genuinely shocking idea for a monk, someone who professionally had to be in favour of abstaining from sex, like Guibert, when the papacy launched a campaign to make clerical marriage illegal in all of Latin Christendom in 1059.

Why the Papal revolutionaries would choose to target clerical marriage as one of the main evils to uproot does deserve explanation. Apart from the ideological precedents given by late Roman and Carolingian churchmen, the main attraction of it all came with the idea of bringing all churches and their property under the control of the Church as a multinational corporation and being able to control who was appointed to them. This you could not do if dynasties of hereditary priests existed (the natural consequence of clerical marriage), just like you could not do it if churches were under control of kings and feudal lords (lay investiture) or if people could just buy their way into clerical office (simony). The other underlying reason, going back to the letters of St Paul which we saw earlier, is the idea that you can only be fully devoted to God if you have no distractions, one of which being marriage and family life. Thus, if the papal revolutionaries wanted their priests to be as devout in their service to God and unquestioningly loyal to the Church as a multinational corporation as possible, they needed to deny them marriage and family life. Moreover, celibacy would give the priests moral authority by demonstrating high levels of self-control, just as it had given monks and other holy men such authority in centuries before. This would help them be the enforcers for the Church’s broader programme for Latin Christian society as a whole.

 The reasons why people would want to resist this are as clear as day. Imagine you’re just a regular parish priest somewhere in Northwest Europe sometime around 1100. You’re living a comfortable and wholesome life with your wife, your son and three daughters, all of whom you love to bits. All of a sudden, an order comes from your local bishop, a former monk who has never married, that your marriage is not a real marriage in either the eyes of God or the law. Therefore, you must separate from your wife and children and never let them in your house again, or risk being banned from performing church services and losing your property. People in your local village or town start jeering and publicly shaming your wife, calling her a concubine and a slut. All of your children are now bastards under the law and the plans you carefully laid out for them have to be thrown out the window. Your son can no longer train as a priest and succeed you. And no respectable young man in the local community will want to marry your daughters. This goes in the face of what was perfectly normal in your father and grandfather’s day, and you know that priests, bishops and even popes in the early church were married. You might feel tempted to tell him to f*** off and just carry on as you are. You can try to reason with him, pointing to church history and morality – if you can’t have a wife, your natural urges might lead you and other married clerics to fornicate with, you know, actual prostitutes, a mortal sin. Or you might get sympathetic neighbours to throw stones at the bishop or his agent. Or you might even go about writing pamphlets and speeches suggesting that this all a conspiracy by sodomite bishops and monks, trying to direct the new religious fervour of the common people against good honest married clerics, while they’re busy pulling and sucking each other off in their dormitories. All of these first three responses to the reformers are attested Normandy in the last quarter of the eleventh century by Orderic Vitalis, and the fourth response was taken by the cleric and poet Serlo of Bayeux. Its notable that one of the main champions of clerical celibacy in England, none other than Guibert’s former friend and tutor Anselm of Canterbury, was almost certainly gay. As William of Malmesbury wrote, at the Council of Westminster in 1102 there were going to be laws passed against sodomy in the monasteries, but Archbishop Anselm suspiciously decided not to promulgate them at the last minute. To many people at the time, reformers championing clerical celibacy were nothing but rank hypocrites.

In many ways, this is a story that resonates with our own times, in more ways than one, and historians writing about this period often slip into casting one side as the goodies and the other as the baddies, depending on their personal and political inclinations. The Gregorian reformers/ papal revolutionaries can seem like the good guys, as stalwart progressives who were trying to stamp out corruption and nepotism and make priests more upright and accountable. On the other hand, their opponents among the parish clergy can seem like the good guys, as honest, down-to-earth folks who were really doing their duties as best as they could but had fallen victim to snobby aristocratic bishops and hypocritical do-gooder monks who wanted to destroy established traditions and local communities in the name of their radical ideology. Likewise, both can seem like the bad guys in the face of twenty-first century sensibilities. The Gregorian reformers were undoubtedly misogynistic, essentially saying that women were to blame for bad priests and as soon as they put them away the better, and some would say that clerical celibacy is directly to blame for the current problem of child sex abuse in the Catholic Church. On the other hand, their opponents resorted to what we would now recognise as homophobia in their polemics against the reformers, and essentially held to the belief, common among modern anti-feminist movements, that heterosexual men can’t control their lust and that without a wife or a stable long-term relationship they’ll shag any woman with a pulse. I’ve tried my best to be as impartial and empathetic as I can to both sides. Guibert was impartial on the matter in his own characteristically downbeat way, as we’ll see.

Now there were not one but two people helping bat for Guibert in getting that church prebend at Clermont. The first was of course his brother, a knight of the castle of Clermont whom the lord owed a debt. The other was his brother, a layman whom the local bishop had illegally made abbot of the very collegiate church where Guibert was going to get his prebend as a priest. Guibert describes his cousin, whom he detested, thus:

It just so happened that one of these zealots was a certain nephew of my father. This man, who was more powerful and cunning than his peers, would indulge in sex like such an animal that he would never put off having a woman when he wanted one, and yet to hear him rail against clerics regarding this particular canon [the ban of clerical marriage], one would have thought he was motivated by a singular modesty and distaste for such things … He could never be chained to a woman through marriage, for he never intended to be shackled by such bonds … Finding a pretence by which I might benefit at the expense of a certain well-placed priest, he began pressing the lord of the castle … For contrary to every law, human and divine, this man had been authorised by the bishop to be the abbot of that very church. Thus, even though he himself had not been canonically appointed, he was demanding of the canons that they respect the canons.

Much like in Serlo of Bayeux’s polemics, here the supporters of the papal revolution are hypocrites. All except here, the hypocrite in question (Guibert’s cousin) is not a covert homosexual, but a red-blooded openly promiscuous heterosexual. Guibert describes him both with vitriol and his outstanding verbal wit and sense of irony, and in doing so sums up what many people felt at the time about the reformers – that they were preachy and self-righteous, but ultimately more morally bankrupt than the clerics they were trying to cast aside.  

What did the poor married priest, whose job Guibert’s relatives were trying to steal to give to Guibert, do about this. Well, he took the nuclear option. Beat these revolutionaries and fanatics at their own game by turning their own principles against them. Guibert relates it thus:

At this time, it was not only a serious offence for members of the highest orders and canons to be married, but it was also considered a crime to purchase those offices involving no pastoral care … Those who took the side of the cleric deprived of his prebend as well as many contemporaries of mine, started murmuring about simony as well as the excommunications that had recently proliferated.

Now if there was anything more sure-fire to bring the ecclesiastical authorities and popular opinion on your side, it was accusations of simony. As I’ve explained before, outlawing simony was a cause celebre of the Gregorian Reform movement as well as imposing clerical celibacy. And most people could get behind it on that. As I explained to my year 10s when I was teaching them the church reforms of Archbishop Lanfranc as part of their Norman Conquest GCSE unit, having a simoniac priest in the eleventh century would be like having a local GP or a headteacher who had purchased their position rather than getting it on merit now. It was absolutely scandalous, because the church for people in the eleventh century was like the school system and the NHS for us today and so they wanted priests who were honest, upright and well-qualified for the job. And in trying to secure a church position for Guibert through a debt his lord owed him, what was his brother doing other than well, you know, simony of course. And from how Guibert describes it, in this way the married priest was able to get public opinion on his side over an issue that had clearly caught the attention of the citizenry of Clermont.

Even though he was a married priest, this man could not be forced to part with his wife through the suspension of his office; but he had given up celebrating Mass. Having given the divine mysteries less importance than his own body, he justly escaped the punishment that he thought he had escaped by renouncing the sacrifice. Once he was stripped of his canonical office, there being nothing left to deter him, he began publicly celebrating mass again while keeping his wife. Then a rumour spread that, in the course of these ceremonies he pronounced excommunication on my mother and her family and repeated it several days in a row. My mother, who always feared about divine matters, feared the punishment of her sins and the scandal that might erupt. She surrendered the prebend that had illicitly been granted and secured another one for me from the lord of the castle in anticipation of some other cleric’s death. Thus, do we “flee the weapons of iron, only to fall under the shafts of a bronze bow [Job 20:24].” To grant something in anticipation of someone’s death is hardly more than issuing a daily incentive to murder.

So the priest had successfully mobilised the local community against Guibert’s family, and by publicly excommunicating them in front of a crowd of the ordinary churchgoers who supported him, he was able to force them to back down. What Guibert’s mother then did next horrified Guibert, and indeed by the time Guibert wrote the Monodies, the practice of securing a church position in anticipation of the incumbent’s death had been outlawed by Pope Paschal II (r.1099 – 1118) at the Council of Beauvais in 1114. Thus, a would-be victim of the papal revolution was able to use some of most important weapons in its arsenal, accusations of simony and public opinion, against its very zealots.

As Conrad Leyser, who was my tutor at Worcester College during my undergraduate years has argued in a brilliant review article aimed at specialists, this little anecdote nicely illustrates the significance of the Gregorian reform movement as it was felt at the time. While it did nothing to immediately eliminate patronage, proprietary churches, dynasticism and lay aristocratic power from the church, decisions made in distant Rome nonetheless affected how people jockeyed for clerical offices in obscure corners of Northern France. Both sides appealed to the principles of the papal revolutionaries in their struggle over the church prebend at Clermont, one side doing so more successfully than the other, and both tried to get local public opinion, which was becoming very influenced by these revolutionary ideas, on their side. Indeed, in many ways this post and the two before it has been something of a homage to Conrad, who I really enjoyed being taught by, as they’ve touched quite a bit on his research interests and theories. Indeed, shoutout to Conrad if you happen to be reading this – you provided me with three years of excellent teaching and mentoring at Oxford, and you helped encourage and inspire me on my journey as a medieval historian, even though I eventually decided academia wasn't the future for me.

Sources used:

A Monk’s Confession: The Memoirs of Guibert de Nogent, translated by Paul Archambault, University of Pennsylvania Press (1996)

Carolingian Civilisation: A Reader, edited and translated by Paul Edward Dutton, University of Toronto Press (2009)

Chris Wickham, The Inheritance of Rome: A History of Europe from 400 – 1000, Penguin (2009)

Julia Barrow, The Clergy in the Medieval World: Secular Clerics, the Families and Careers in North-Western Europe, 800 – 1200, Cambridge University Press (2015)

R.I Moore, The First European Revolution, 970 – 1215, Blackwell (2000)

H.A Freestone, The Priest's Wife in the Anglo-Norman Realm, 1050-1150 (Doctoral thesis, 2018)

J.W Fawcett, “The Hereditary Priests of Hexham”, Hexham Parish Magazine (1903), pp.37–38

https://notchesblog.com/2016/02/09/the-manly-priest-an-interview-with-jennifer-thibodeaux/ - post by Katherine Harvey, in conversation with Jennifer Thibodeaux

https://blog.oup.com/2014/09/clerical-celibacy/ - post by Hugh Thomas

Conrad Leyser, “Review article: Church reform – full of sound and fury, signifying nothing?”, Early Medieval Europe, Volume 24 (2016), pp 478 – 499

Why this book needs to be written part 1

Reason One: the Carolingian achievement is a compelling historical problem This one needs a little unpacking. Put it simply, in the eighth c...